We’re thrilled to introduce our brand-new podcast, “Unrolling the Concert Poster,” where we delve deep into the fascinating world of vintage concert posters and their rich histories.
In our inaugural episode, join Glenn Trosch and Katie Trosch as they kick off with a deep dive into one of the most provocative and historic pieces of psychedelic art: Wes Wilson's groundbreaking 1964 poster. Wes Wilson, often referred to as the godfather of the psychedelic concert poster, was a pivotal figure in the 1960s San Francisco scene, crafting the first iconic posters for Bill Graham and the Fillmore.
The Controversial Beginnings: Wes Wilson’s First Poster
We begin with Wilson’s very first poster, a bold and politically charged piece from 1964. This poster isn't a concert poster but a powerful statement about the social and political climate of the time, featuring the provocative question, "Are we next?". Created in response to the Vietnam War and the sociopolitical unrest in America, this piece remains shockingly relevant today.
We explore Wilson’s significant contributions to the concert poster genre, highlighting his evolution through the early Fillmore posters to his last iconic work for Bill Graham, BG 62. This poster, featuring Wilson's pregnant wife and a snake with a dollar sign, serves as a biting commentary on his relationship with Graham and the commercialization of the rock scene.
The Legendary Bill Graham
In this podcast episode, we also shines a light on Bill Graham, the legendary promoter behind the Fillmore concerts, whose journey from a Holocaust survivor to a rock and roll impresario is nothing short of extraordinary. Despite initial resistance from the counterculture, Graham's contributions to the San Francisco music scene were undeniable, creating a lasting legacy of legendary performances and unforgettable posters.
A Deeper Dive: Led Zeppelin’s Controversial Imagery
Moving forward, we discuss the controversial yet rare Led Zeppelin poster from 1971, which parodies Adolf Hitler with the phrase “Danke Baedeker,” a satirical nod to a German travel guide used during the blitz. Despite its shocking imagery, this poster, like many others, reflects the era's complex interplay between art, history, and rock music. Context of post WWII England and British rock culture is key to understanding the satirical message of the poster.
Rock and Roll’s Darker Side: The Hells Angels and Altamont
We don't shy away from the darker aspects of the rock scene, recounting the infamous Altamont Free Concert of 1969, where a violent incident involving the Hells Angels tragically marked the end of the sixties’ peace and love ethos. This event and the subsequent posters, such as the one created by Randy Tuten for a Hells Angels benefit, encapsulate the turbulent intersection of music, violence, and cultural shifts.
Whether you're a rock and roll aficionado, an art lover, or a dedicated collector, concert posters offer a unique window into the past, capturing the spirit and stories of an era.
Join us on this journey through rock history and art by subscribing to our podcast here. Dive into the world of vintage concert posters, where every piece has a story, and each story is a vivid snapshot of our cultural heritage.
